Guess what? It is getting colder, the trees are almost bare, and you are beginning to think about the holidays. This means it’s time for the annual Friends BOGO.
Simply renew your Friends membership during November or December (don’t worry, your membership will be extended for a full year regardless of its expiration date) and you will receive a Friends gift membership to share immediately with a friend or family member.
To take advantage of this offer call 612-870-6323, or 612-870-3045 Monday-Friday between 9 am and 4:30 pm. You must mention the BOGO offer and specify who your free membership is for. If renewing via mail please follow up with a phone call or email (email@example.com) to partake in BOGO. Please note: BOGO renewals do not work with our online system.
Mia has recently acquired over 670 works of art from collections of Saint Paul native Mary Griggs Burke. Over one-third of them are now on view. Mrs. Burke purchased her first object in 1956, the right half of a pair of “The Tales of Genji” screens (the other half was acquired by Frank Lloyd Wright). She would always be drawn to Genji tales (and even once named her dachshund Genji). However, not at all limited to Genji, in the mid-1960s her serious collecting began and continued for 50 years.
Matthew Welch was kind to sit down with me recently to discuss Mrs. Burke and objects from her collection. He mentioned several in particular that you may want to see. The first is “Night Parade of One Hundred Demons”, (Gallery 253) a handscroll from the Edo Period, 19th century. Made in the less formal style used to illustrate native tales, this painting displays the wonderful use of lively, fluid ink lines. You’ll note the detail, movement and continuous action. I am quoting her words: “This amusing handscroll, whose theme was painted numerous times between the fourteenth and nineteenth centuries, depicts one of the many versions of an ancient folk belief. According to this legend, ogres, demons and goblins parade by night through the streets and old mansions until the light of dawn causes them to return to their nether world. Early Japanese literature records several ‘true encounters’ of men with such demons, and at one time court regulations forbade aristocrats from venturing outside at night.” Years later, for her 75th birthday party, she invited 100 guests to dress as Japanese ghosts and demons. She wore a lavish costume with a grotesque mask, a long white wig, and a severed arm copied from a pair of Zeshin screens she owned. They are also displayed in Gallery 253.
My quote in the above paragraph is from a book Matthew Welch generously loaned to me while I was researching this collection – “Japanese Art: Personal Selections from The Mary and Jackson Burke Collection”. It is written in lovely, first-person style by Mrs. Burke. I highly recommend it.
The second is “Monju on a Lion” (Gallery 224), which may have once been part of a triptych. The artist, Kiyohara Yukinobu, is a woman! Note the feminine appearance of Monju with the lovely hair ornaments and the detailed patterns on the robe and the sweet and docile appearance of the lion. As Matthew has pointed out, there are aspects of Mrs. Burke’s collection that suggest a certain feminine taste including a pair of folding screens with fine line paintings illustrating scenes from the Tale of Genji (Gallery 223), a subtly beautiful calligraphy attributed to the 12th century courtier Fujiwara Sadanobu on delicately decorated paper (Gallery 225), and a gleaming black lacquer ewer with ethereal designs of wisteria in sprinkled gold and silver (Gallery 219). As well as Mrs. Burke’s book, Matthew also recommends an article in Impressions journal (2014, no. 35, pp. 201-218; available in Mia’s library) and the Burke Collection’s official website: http://burkecollection.org/.
By Carol Burton Gray Generous support for “Gifts of Japanese and Korean Art from the Mary Griggs Burke Collection” provided by the Mary Griggs Burke Fund, Gift of the Mary Livingston Griggs and Mary Griggs Burke Foundation, and the Gale Family Endowment.
The Friends are going to Cuba March 3-7, 2016! Interested in visiting Hemingway’s Farm or taking a tour with a local Cuban architect? Would you like to learn more about this exciting trip of a lifetime and have an opportunity to ask questions? An informal Cuban travel presentation will be held in November in The Friends Office. The exact date and time will be announced soon so look for more information!
When you receive your newsletter on November 1, you will only have two days left to register for Friends 101 on Thursday, November 5, at 10 a.m.
New members will learn about Friends history, and all members will enjoy this talk by past president, Carolyn Dahl. A tour of the monumental tapestries in the Fountain Court with assistant curator of textiles at Mia, Nicole LaBouff, will follow.
Please reply by November 3 to Kate Smith in the Friends office at 612-870-3045 to reserve your seat.
Thank you, Friends of the Institute, for sending Docent Jane Mackenzie and me to the National Docent Symposium in Cincinnati, Ohio. While there we experienced a few lovely fall weather days at a national historic landmark, the Hilton Cincinnati Netherland Hotel and Plaza. The Hilton has been open since 1931 and was built in the French Art Deco Style. Amid rare Brazilian rosewood paneling, two-story ceiling murals, and original German silver-nickel sconces; we joined 350 plus docents, guides, or museum staff for a spectacular trip into America’s museums past, present and future.
We convened among the three motifs that differentiate French Art Deco from other types of Art Deco. These motifs include the use of floral patterns, nature and the sun. We enjoyed seeing the first Roebling Bridge, the predecessor of the Brooklyn Bridge. The symposium spanned many speakers, topics, sites and new friendships. The main themes seemed to touch on shifts museums are making in engaging audiences. This includes, new approaches to viewing
and interacting with art, and thoughts about measuring success. One of last years’ hosts, the
Fine Arts Museum of San Francisco, excelled at teaching participants how to integrate
tablets, like iPads, into tours. This portion I found to be right on target with what we do here at Mia. In conclusion, it is apparent that Mia has many engaging and diverse programs, interactive technologies, competent volunteers/mentors/staff and a forward thinking approach to our future.
As you plan your Thanksgiving feast, wearing a wool sweater and watching for signs of snow flurries, two women are immersed in an entirely different season–spring! The Friends of the Institute are delighted to announce the co-chairs of Art in Bloom 2016, Barbara Scott and Carrie Kilberg. They’ve taken different paths to their partnership, bringing their experience, interests and enthusiasm to a celebration that’s been described as “gorgeous, thought-provoking, humorous, colorful, whimsical, inspirational, and fleeting.”
Barbara describes her “former life” as predominantly centered on music and theater, and wonders how she missed all this. Always overwhelmed by the vibrancy of color and design, she discovered the Art Adventure Guide program and for 12 years toured school children at Mia. She found the combination of children and art irresistible and spent three years as chair of the Art Adventure Guide Council. After turning in her touring boots, she discovered the Friends and never looked back. She has served on several committees of the Friends Board and finds it the best, most stimulating volunteer job imaginable. Meeting the challenge of Art in Bloom is made possible by the wonderful energy and support of her co-chair, Carrie Kilberg.
After being a stay-at-home mom for 10 years, Carrie followed the advice of her own
Mother to “get outside your own backyard and meet other people from around the Twin Cities.” That’s exactly what she did when she join the Friends of the Institute nearly 9 years ago. Since then she has served on numerous committees within the Friends Board and was Co-Chair of Art PerChance in 2008 (with who else but her mother!). But, Carrie says, “nothing compares to the honor you are given when asked by those you admire and respect to be an Art in Bloom Co-Chair.” She is delighted to be planning this annual celebration alongside Barbara Scott. Both women feel that not only are they serving the museum, but doing it in the presence of hugely talented women and men and, of course, great friends.
Art in Bloom invites the community to participate as visitors, pedestal artists, lecture attendees, diners, shoppers, and financial supporters, but we count on our Friends members for their enthusiastic participation. Mark your calendar for the Preview Party on Wednesday evening, April 27, the major annual fundraiser for the Friends. Then enjoy 4 days of lectures, flowers, the Art In Bloom Shoppe and 40,000 other smiling faces. And when you see Barbara and Carrie, thank them for the hard work they’re doing to create this celebration.
We’d love to have a little display of our member’s holiday cards this year. They are so much fun to see, and we would like to add yours to our collection!
Please send your holiday cards to:
Friends of the Institute
2400 3rd Ave South
Minneapolis, MN 55404
Make sure to stop by and take a look at what other have sent in.
Friends members, join us on Friday, November 20 at 10:20 a.m. in Studio 114 for a docent-led tour at 10:30 a.m. of What I Loved, a novel by Siri Hustvedt. The story begins in New York in 1975, when art historian Leo Hertzberg discovers an extraordinary painting by an unknown artist in a SoHo gallery. Combining a family saga with the suspense of a thriller, this book is story about art, love, loss, and betrayal. Discussion and light treats will follow from 11:30 a.m.to 12:30 p.m. Please call the Friends office (612) 870-3045 to register. We have spots for up to 25 members. We’re looking forward to seeing you!
If you haven’t yet had a chance to pick up this book, here are a couple of options( click on the link to be taken to those websites): Hennepin County Library Magers and Quinn
Here are the books for 2016 for Friends-Only Book club.
* January 15: Samurai’s Garden by Gail Tsukiyama
* February 19: Emma by Jane Austen
* March 18: The Swerve, How the World Became Modern by Stephen Greenblatt
* April 15: Thief of Time by Tony Hillerman
Thursday, November 12, 2015, Pillsbury Auditorium 11:00 AM
If you have recently walked through Mia’s Native American galleries, you will have encountered a fabulous show, “Arriving at Fresh Water: Contemporary Native Artists from our Great Lakes.” We are honored to present as our November lecturer the photographer Tom Jones, whose work is a highlight of that show.
As a member of the Ho Chunk Nation of Wisconsin, Jones creates images that challenge stereotypical ideas of Native people by questioning the past and reevaluating the present. His work, Dear America, currently hanging in Mia’s galleries, developed from “my need to portray an account of the Native American experience and their contributions to the history of the United States that is largely without voice in an American History education.” While collecting photographic postcards from the early 20th century, Jones came across an image of a Native American woman with a child strapped to her back. It was captioned “White Man’s Burden.” “This image remained with me and has been the catalyst for this series of images.” In Dear America, Jones uses some of those found images, manipulating them to include Native American people or subject matter. In labeling each image with a line from the song “America” (My Country Tis of Thee), Jones creates a powerful reverie on Native Americans and their history within the United States.
Jones is not, however, only concerned with the past. In his ongoing photographic essay, “The Ho Chunk People,” Jones shows “both the tribe and the outside world a perspective from someone who comes from within the Ho Chunk community, creating a new understanding of how the Ho Chunk live in the twenty-first century.” In his work, “I am an Indian First and an Artist Second,” he uses abstraction to question the “post-Indian” and “post-race” issues of today. His work is beautiful, complex, and compelling.
Tom Jones is currently Assistant Professor of Photography in the Art Department at the University of Wisconsin, Madison. Originally a painter, he later received his MA in Museum Studies and his MFA in Photography from Columbia College, Illinois. His work is in the collections of the National Museum of the American Indian, Polaroid Corporation, Sprint Corporation, the Chazen Museum of Art and the Nerman Museum.
Tickets are free and available for the lecture starting October 15 for Friends members and Oct 17 for the public at https://tickets.artsmia.org/ or 612-870-6323.
The Mark and Mary Goff Fiterman Lecture Series is presented by the Friends of the Institute and Mia
Thursday October 8, 2015, Pillsbury Auditorium 11:00 AM
Axel Rüger, Director of the van Gogh Museum in Amsterdam, will give us new insights into one of the most famous and intriguing painters of all time. He will share the technical research and how the van Gogh Museum is giving us new ways to appreciate Vincent van Gogh.
All tickets for this lecture are currently reserved. We would love to have you join us in the Wells Fargo Community Room to view a live HD video stream of the lecture while enjoying coffee and treats. We hope to see you in overflow!