Nora Naranjo Morse presents “Numbe Whageh – Pueblo Perspectives in Public Art ( Numbe Whageh-Tewa interpretation, Our Center Place).”
The February Friends Lecture will feature artist Nora Naranjo Morse. Morse will discuss public art from a Native and, specifically, Pueblo perspective. A lifelong resident of the Santa Clara Pueblo, she has been steeped in the rich traditions of her people as well as exposed to a different set of traditions in the Anglo world. Morse attempts to resolve these conflicting pulls through her work, which pays homage to her long lineage by embracing aspects of the contemporary world.
Morse is a sculptor, writer, and producer of films that look at the continuing social changes within Pueblo Indian culture. In addition to Santa Fe, her work can be seen at Mia, the Heard Museum in Phoenix, and the National Museum of the American Indian in Washington, DC. A graduate of the College of Santa Fe, Morse is the recipient of an honorary degree from Skidmore College and a 2014 Native Arts and Cultures Foundation Artist Fellowship.
Free tickets are available starting January 15 for Friends members and January 17 for nonmembers. Click the ticket link below or call 612.870.6323.
For nearly 20 years, art historian Glenn Lowry has directed New York’s Museum of Modern Art, the most influential modern art museum in the world. He came to MoMA as an acclaimed specialist in Islamic art. Lowry returns to his scholarly roots for this lecture. Contemporary art in the Middle East can be seen as the continuation of the historical tradition or as a radical break with the past; as a market driven phenomenon fueled by the wealth of a new Gulf-based clientele; or as a searing critique of the social and political conditions of the region often made by artists living in a diasporic condition. Dr. Lowry will explore how a number of artists from this region, including Wael Shawky, Shirin Neshat, Walid Raad, Rania Stephan, and Shahzia Sikander, navigate these complicated and highly charged issues through their varied practices that range from film-making and photography to painting and animation. Dr. Lowry became the sixth director of the Museum of Modern Art in 1995. He has significantly developed the Museum’s holdings in all mediums, adding entire collections of contemporary drawings, Fluxus, Conceptual Art, and the archives of Frank Lloyd Wright. A strong advocate of contemporary art and artists who are shaping art, he has overseen acquisitions by artists such as 2 Matthew Barney, Louise Bourgeois, Richard Serra, Gerhard Richter and Robert Rauschenberg. Dr. Lowry’s initiatives include the successful merger of The Museum of Modern Art and P.S. 1 Contemporary Art Center (now MoMA P.S. 1). He also established the Contemporary and Modern Art Perspectives in a Global Age Initiative (C-MAP), a research program for the exchange of knowledge and ideas among arts experts around the world. He is currently leading a renovation and expansion project that will offer visitors a more welcoming and participatory experience and unprecedented access to MoMA’s collections and programming. Dr. Lowry received his B.A. from Williams College and an M.A. and Ph.D. in art history from Harvard University. He began his career as the first director of the Joseph and Margaret Muscarelle Museum of Art at the College of William and Mary. He was curator of Near Eastern Art at the Smithsonian Institution’s Arthur M. Sackler Gallery and Freer Gallery of Art. He was also director of the Art Gallery of Ontario.